Walking With our Sisters
Commemorative moccasin vamps beaded by Crystal Albanese, photo from WWOS website. |
Yesterday, I walked a “trail of
tears” with many others at Batoche East Village. Walking With
our Sisters commemorates with heart-breaking, yet heart-healing
symbolism the grief over Indigenous girls and women whose lives have
been stolen. It began with a smudging high on the East bank of the
South Saskatchewan where we began a walk down to the water and back
along a red-ribbon path with 1600 pairs, or more, of beaded moccasin vamps, each
pair commemorating in its incompleteness the truncated lives now held
only in memory. We each carried a small packet of tobacco to offer up
with our prayers for the lost sisters at the end of our walk.
I thought about symbol and ritual; I
wondered about the meaning for me of symbols and rituals deeply
meaningful to Indigenous neighbours but unfamiliar and new to many of
the participants in the walk. In a small way, I felt sorrow at my
comparative inability to experience the raising of a spiritual
awareness that seemed to ignite some special reverence, some
other-worldly connection in the Indigenous people with whom I
believed I was walking in solidarity. All I could think of that might
resemble the smudging, the tobacco offering, the moccasin vamps in my
tradition were the bread and the wine of communion.
This morning I wonder if it’s
possible to reach into the world/home of the spirit except
through the medium of our senses. Is it possible to fully express
spiritual love for another without the touch, the kiss, the hand
shake? Is it possible to reignite our spiritual bond to the
suffering, forgiving, saving Christ without the bread and the wine?
Are feathers, drums and the pipe the instruments by which the better
angels reveal themselves in Indigenous consciousness; do they serve
as guardians of love and justice, mercy and hope, and would these be
lost if some villainy would come to steal away the revered artifacts,
the traditional rituals?
How easy it seems to have become to
dismiss all but the material in everything. How sad if we should lose
our spiritual sensitivity so that we could no longer be touched to
our core by art, by music, by story, even by the shape of a feather,
the wafting aroma of burning sage and sweet grass, the shared bread
and that agonizing sip of blood turned into wine, not in the glass
but in our hearts.
The moccasin vamps were sent in from
around the world by many cultures, they told us. Some had small tribute stones
placed on them by walkers. I saw one pair apparently made to fit an
adult woman’s feet, and alongside an identically beaded pair for a
baby and I imagined the untimely ending of earthly life for a woman carrying a
child, possibly unborn. This was for me the saddest pair.
After the walk, two women with eagle
feathers and bowls of smouldering sage bathed us in wisps of light, fragrant smoke, an act symbolic of the cleansing of anger, hurt or shame with
which the experience might have stained our spirits.
A fitting
conclusion to an unforgettable experience.
As usual George, you capture the moment and the spirit
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