Something there is that doesn't love a wall
“… Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offense.
Something there is that doesn't love a wall,
That wants it down.”
Robert Frost’s iconic poem, “Mending Wall,” takes us into
the New England countryside and two properties where two owners get together
every spring to repair the stone fence between them. Had they livestock, the
narrating owner conjectures, the adage, “Good fences make good neighbours,”
would suit. But here, one has fruit trees and the other a pine orchard, so why keep
the fence/wall?
Clearly, those who constructed the Berlin Wall had a good
idea what it was they were “walling in or walling out.” Or attempting to. Visiting
a family in East Berlin in 1988, we learned that the wall was much more than
concrete, machine guns and guard dogs. Through the legal system, the wall cut
through the school curricula, through personal freedoms of religion, movement,
thought and speech.
But there’s no such thing as an impermeable wall, a
fail-safe fence. Ideas, faith, relationships, longings—the human spirit,
basically—will soar over, past or through the highest barrier. On November 9,
1989—a few months after we concluded our three-year term with MCC in Europe—ecstatic
Germans were dancing on the wall, celebrating through the streets of West
Berlin. (Not to imply that we take any credit for it.)
“Something there is that doesn't love a wall/That wants it
down.”
Walls take many shapes and forms, of course. The
accumulation of arms, the race to have more fire power than a possible enemy is
an illusory protective wall, for instance. Propelled by our fear of physical
harm and death, our imaginations soar ever closer to the brink where that which
was meant to protect us becomes our greatest danger. A wall big and strong
enough to exclude all threats becomes, in effect, a prison.
Simple answers only suffice for simple questions. Considering
human rights, international law, inequality of resources, natural disaster,
war, famine, etc., the migration of people is easily shown to be a complex
issue requiring a multi-faceted response. But simplify the problem to, “Too
many people are getting into the USA across the Mexican border,” and the
answer, “We’ll build a wall,” can seem credible to many.
Frost’s poetry excels in illuminating ideas through the everyday.
In “The Road not Taken,” for instance, the crossroad experience of deciding
between the broad road or the narrow both repeats a Biblical theme while taking
us through an imaginary walk in the woods.
The Poetry Foundation website finds me a frequent
visitor. Do check Frost’s genius out at Mending Wall
by Robert Frost | Poetry Foundation
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